Usually, a one-time sync fee is agreed and paid to the rights holders. Sync licenses are agreed between filmmaker/music supervisors and the rights holders to a piece of music. Before the release of the second movie, director James Gunn previewed the soundtrack online and starred in a special feature in Rolling Stone, detailing the musical selection process for the film. The first Guardians of the Galaxy soundtrack received huge praise with the presence of some 70s and 80s classics on Peter’s ‘ Awesome Mix Vol. As we’ve entered into a golden era of TV and the film industry has produced some of the best-selling films of all time in recent years, soundtracks have once again become a source of hype surrounding new releases. There was a decline in the popularity of musical soundtracks when online retail services rose in popularity as consumers were able to purchase singular tracks instead of having to purchase an entire album. If someone is watching a film at home, they might notice the soundtrack, Shazam the song to find its title and artist, from here they might go to your Spotify or Youtube channel to discover more of your music, which can lead to them purchasing your music or discovering your social media accounts. In the modern age, sync licenses can encourage engagement across your digital touchpoints as an artist. Films can project your music to new consumer demographics and can have an international reach. As well as the financial benefits, it can be a valuable music promotion for artists and drastically increase their exposure. Sync licensing can be a great source of income for emerging bands and sync fees can help you put money into furthering your career. Sync licenses allow musicians to monetise the use of their music in a film. Any filmmaker, large or small scale, must obtain the correct license and consent from an artist or composer to use their music in a film sequence. This is how music is legally added to visual media. Music is generally added in the final stage of the film production process post-production house.įunding and securing investment from film investment firms can be very difficult. It’s most likely that for small scale productions you’ll work with the filmmaker directly, on larger budget and major film production company films a music supervisor will generally be the one you’ll be in contact with. When it comes to music in the film, either the filmmaker will have direct contact with musicians or composers, or they will hire a music supervisor to source the soundtrack. The film industry spans all sorts of genres and styles so no matter the stylistic identity of your music, there are opportunities for syncs. Some storylines suit pre-existing tracks to play in the background at party scenes, some require a subtle musical score that invisibly adds to the dramatic atmosphere on screen. A good director should be able to instil their vision for the film in each of their staff and cast so they collectively produce the best story possible.Įach director will have a different idea of the kind of music they’re looking for to accompany their visual sequence. Some are very precise with their instructions with a clear idea of the final outcome and others prefer to let the other creative voices in the room speak up. Whether its a huge, major studio Hollywood blockbuster or a small independent film, there will also be a director/producer.įilmmakers are passionate about their projects and each has a different style of direction. Producers oversee the more logistical, business elements of film pre production company however many producers also direct their films. A film director has creative control over the entirety of a film they often develop the idea, develop concepts and screenplays, make casting decisions, hire production teams and costume designers, oversee shooting, visual effects and editing. This is an inclusive term as it comprises productions both big and small. We’re going to examine the role of music in film and what a filmmaker looks for in terms of cinematic soundtracks. Music is one of the most emotive storytelling tools available to filmmakers and cinema is a world of opportunity for emerging artists. Filmmakers have redefined storytelling since the dawn of cinema box office and they are always looking to produce films that stay with the audience long after viewing. It’s a huge, global industry that spans countless genres, niches, fanbases and markets. In 2018 the film industry was worth $136 billion. Filmmakers – How To Get Your Music In Their Films
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